Antelope Island – A Meadowlark Mecca
Antelope Island is still teeming with Western Meadowlarks and will be for the rest of the summer. Most are uncooperative but there are exceptions.
Tag: western meadowlark
Meadowlark – Wary At First, Then Singing With Gusto
I tend to like gnarly old sagebrush perches and I’ve had my eye on this one for a while. It’s close to the road, in good light in the morning and Western Meadowlarks use it often. But unlike when they’re perched on an ugly sign, they always seem to fly off as I approach when they’re on this one.
That changed yesterday morning.
A Couple Of More Meadowlarks
I wanted to post two more recent Western Meadowlark images that weren’t take-off shots, like my last post of this species. 1/2500, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light This image, taken four days ago, shows the bright yellows on the belly, breast and throat but part of the bird is obscured. Obviously it was singing up a storm. Just looking at the image brings the song into my head. 1/5000, f/5.6, ISO 640, 500 f/4, 1.4 tc, natural light And this one, from two days ago, shows the backside. I was very close to this bird. So close that I had to shoot vertically, which complicates things with my long, awkward lens. By the time I had it framed and got off a few shots I realized that my settings were wrong for the situation (didn’t need the high ISO or shutter speed and more depth of field would have kept more of the sagebrush sharp) but by then it was too late and the bird took off. Sometimes birds cooperate and then they don’t… Ron PS – As I was working on this post which was meant to be published tomorrow morning I hit “publish” instead of “update” before it was ready. So there’s some “hiccups” in it, especially for those who get the post emails. Sorry. I’ve always worried about doing that…
A Meadowlark Morning
Yesterday morning there was meadowlark magic on the island. They were almost everywhere, singing lustily from atop their sagebrush and rabbitbrush perches (and more than a few ugly signposts). Several times I just stopped the truck, turned the engine off and got outside to listen. You could hear dozens of them simultaneously – some very close, some far away and others everywhere in between. Their melodious calls literally bounced off the hilltops.
A Spring Morning In The West Desert
We had a wonderful time out on the west desert again this morning. The light was great, the birds were singing and everything was clear, crisp and clean. This post is meant to give you a feel for what it was like.
My First Western Meadowlark Of The Season
Ok, despite the fact that it’s turning colder again this week I’m now convinced that spring has arrived because two days ago I finally got close enough to photograph a singing Western Meadowlark – my first of the year. 1/2500, f/6.3, ISO 640, 500 f/4, 1.4 tc, natural light I was sure the bird would fly off as I approached, just as all the others have this spring, but this one stuck. I like the somewhat different head angle in this shot. 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light I probably have more trouble with framing this species than any other because their legs are always longer than I think they are when they’re buried in the perch like this and I typically don’t leave enough room for at least one of them. This time I think I did. 1/3200, f/6.3, ISO 640, 500 f/4, 1.4 tc, natural light When the bird would break out in song it truly lifted my spirits, as it always does. They’re just so enthusiastic about it and when you’re close the sound can go right through you – in a good way. I’m always impressed by the size of their mouth which seems to be exaggerated some by that long beak. I suspect there are a few of my regular readers who are unfamiliar with the call of this songster (Elephant’s Child in Australia, for example) so I’ve provided a link to their song if you’d like to hear it (scroll down about half-way). These birds (and their…
Too Cold For Meadowlarks?
I’m used to seeing Western Meadowlarks all winter long. True, their numbers go down as some of them migrate south but there always seems to be a resident population of them here in northern Utah and I typically photograph them year-round. Not so this winter. 1/3200, f/7.1, ISO 500 500 f/4, 1.4 tc, natural light (techs were set for take-off) This is the last meadowlark I photographed, taken on 28 December, 2012 and it’s been weeks since I’ve even seen one. Though they’re a permanent resident in my area we’re right on the border between their “permanent resident” and “breeding resident” ranges – see map if you’re interested. I suspect they’ve all vamoosed for warmer climes because of our recent extremes of cold and snow. If that’s the case, this is one more species I’ll add to my list of birds whose return I’ll anticipate as harbingers of spring. Ron
Why The Killdeer Doesn’t “Perch”
More than half of all bird species (5000+) are classified in order Passeriformes and referred to as passerines. Passerines, sometimes known as perching birds or less accurately as songbirds, have four toes – three of them directed forward and one toe directed back. This arrangement allows for stable perching on structures such as small branches and herbaceous stems because the hind toe is opposable to the others (much like our thumbs are opposable to our fingers) which allows “grasping”. Interestingly, the tendon/bone anatomy of a passerine causes automatic closing of the foot (grasping) when the leg bends – such as when it lands on a typical perch. This arrangement also allows passerines to sleep on a perch without falling off. Here you can see the typical “three toe forward, one toe back” arrangement on this Savannah Sparrow that allows passerines to grasp narrow perches like branches or wires and remain stable on them. Animals without something like this toe arrangement would be “walking a tightrope” but these birds have no problem with it. Maintaining stability on a perch such as this would be virtually impossible without the ability to grasp, particularly in a breeze (this is a Loggerhead Shrike). This shot of a juvenile White-crowned Sparrow gives us a better look at all four toes. One more look at the opposable rear toe, this time on a Western Meadowlark. Ok, now to my point. Many birds that do not typically “perch” (with exceptions) are waterfowl and shorebirds. The Killdeer is a plover but because of the habitats…
Western Meadowlarks In Snow
Yesterday was a glorious day on the island with about 6″ of fresh snow and wonderful light. It was simply delightful. The Western Meadowlarks seemed to be a little “stickier” than usual, perhaps because of all the snow. 1/3200, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light This one was half buried in the snow but I liked all the convolutions in the snowy setting. 1/3200, f/8, ISO 500, 500 f/4, 1.4 tc, natural light This meadowlark was the most cooperative bird of the morning as it posed for me for over 6 minutes on top of some rabbitbrush. 1/2500, f/8, ISO 500, 500 f/4, 1.4 tc, natural light It never did turn around to show that bright yellow breast but it did give me some nice head turns to make up for it. 1/2000, f/7.1, ISO 500, 500 f/4, 1.4 tc, natural light Meadowlarks are well-known for a behavior called “tail flashing”, something they often do during territorial disputes. During tail flashing the tail is nervously (and very quickly) snapped open and closed, better revealing the white outer tail feathers. The bird was cooperating so well that I made it my goal to try to catch the tail spread to show those white feathers, which turned out to be much easier said than done. It happens so quickly that you just have to fire a burst and hope for the best. I took 208 shots of this bird (at least half of them were attempts to get the open tail) and only got…
Western Meadowlark Potpourri
On my last post which featured closeups of mating Lark Sparrows, long-time follower of my blog Tana Hunter asked “How about getting this close to some meadowlarks?” Her request reminded me that I’ve posted very few images of Western Meadowlarks in the 19 months I’ve been blogging so I did a little digging and these images are what I came up with. It’s another relatively long post but with this weather and its attendant crappy light I can’t be out shooting birds so I might as well be playing around with their images to take some of the sting out of my cabin fever… Here are a few interesting factual tidbits about Western Meadowlarks to hopefully get you in the mood: Although early explorers (including Lewis and Clark) were aware of the existence of the Western Meadowlark, it was subsequently ignored by most naturalists of the day so when John James Audubon gave the bird its Latin name, he chose Sturnella neglecta (the species name in recognition of that lack of attention) The Western Meadowlark is not a lark (though it is a gifted songster); instead it is most closely related to the blackbirds When probing into soil for food, these birds force their long bills into the ground and then the mandibles are spread apart, opening and loosening the soil to make food more obtainable They are particularly fond of sprouting grain in farmers fields. They bore into the soil with the long bill, grasp the soft germinating seed and then crush it to obtain the milk and usually discard…
A Mixed Bag Of Recent Birds
These images were all taken over the last eight days, either at Bear River Migratory Bird Refuge or Antelope Island. Another one of my “potpourri” posts with no common theme except “feathers”. 1/640, f/7.1, ISO 640, 500 f/4 The Willets have finally come up on the island for their mating activities (as opposed to the shoreline for recuperation after migration) and I like to try to catch them perched high on the sagebrush where they call loudly to other Willets. 1/2500, f/6.3, ISO 500, 500 f/4, 1.4 tc Western Meadowlarks are in their glory right now and their distinctive songs reverberate all over the island. 1/5000, f/6.3, ISO 500, 500 f/4, 1.4 tc I got closer to this one than I usually can. 1/1600, f/7.1, ISO 500, 500 f/4 This Loggerhead Shrike was grooming peacefully when I noticed a distinct change in its behavior. 1/1250, f/7.1, ISO 500, 500 f/4 A Common Raven flew low overhead and this was the shrike’s reaction. It flattened its body out almost into a bullet shape and pointed that bullet at the raven as it passed. I’m guessing it was an instinctive behavior to present the smallest profile possible to a larger bird that might be a potential threat. It was comical to watch it turn as the raven flew by to keep its body pointed in the larger birds direction. 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc I’m always happy to catch a Chukar perched on a boulder, especially when it isn’t one of the…
A Recent Potpourri Of Birds From Antelope Island
Antelope Island always has an interesting mix of birds for the photographer and birder. During the winter months raptors are one of the primary attractions for me but soon after the cold months are over they begin to thin out and the migrating spring birds begin to appear. The last several weeks have been in transition with fewer raptors but many migrating species are beginning to show up – in addition to the many year-round residents on the island. With this post I thought I’d present a few shots from the past week or so as a small representation of some of the common birds right now. 1/2500, f/6.3, ISO 500, 500 f/4, 1.4 tc Black-billed Magpies are year-round residents of the island and they’re in a nesting frenzy right now which allows for some interesting opportunities for the photographer. This bird is landing on a bush very near its nest. 1/1250, f/7.1, ISO 500, 500 f/4 Springtime is my favorite season to photograph Chukars because they’re all dolled out in fresh plumage and they’re very approachable when they’re calling from rocks. For much of the rest of the year they spend their time scurrying around in the vegetation and it’s quite difficult to get a clean shot. This one was calling with a lot of enthusiasm! 1/3200, f/5.6, ISO 500, 500 f/4, 1.4 tc Some of the Loggerhead Shrikes also remain on the island year-round but their numbers increase noticeably in spring. 1/1000, f/6.3, ISO 640, 500 f/4, 1.4 tc It’s always a treat when the Long-billed Curlews return to…
Meadowlark Take-off
Just a single image this time. While photographing magpies at their nest this morning this cheeky Western Meadowlark had the gall to land right next door to the nest for a few seconds before it took off again. 1/2500, f/7.1, ISO 500, f00 f/4 I’d taken the teleconverter off for the larger magpies so it’s a bit of a heftier crop than I’d prefer and I wish I had a little more room up top for composition. And there’s some “stuff” in front of the bird but despite all that I liked the shot anyway. These meadowlarks are beginning to sing up a storm out on the island. Ron
Critters Among the Sunflowers of Antelope Island
Antelope Island is ablaze with color this fall, provided by the common sunflower Helianthus annus. The sunflower display is really quite spectacular this year – the most prolific I’ve ever seen it. I suspect it’s because of the very wet spring we’ve had. The sunflowers can provide a very pleasing setting for wildlife photography, whether the flowers are in focus along with your subject or out of focus to show off some pleasing and unusual color in the background bokeh. Canon 40D @ 72mm, 1/800, f/6.3, ISO 320, EV +0.33 It’s unusual for me to get so close to a pronghorn that I don’t have to use a telephoto lens but these bucks are in rut right now and they’re so intent on herding their harem of females that they’re not nearly so wary of people and vehicles. So I quickly pulled out my old 40D and shot this handsome fella at only 72mm while he was right next to my pickup and staring intently at his ladies close by. This allowed me to keep many of the sunflowers relatively sharp and gave a different “feel” to the image than I usually get with my big glass. Canon 7D, 1/2500, f/5.6, ISO 640, EV + 0.33, 500 f/4, 1.4 tc In contrast to the previous image, this Vesper Sparrow was shot with my 500mm and 1.4 teleconverter (1120mm with the crop factor of the 7D) at f/5.6 which gave me very little depth of field – just enough to get the sparrow sharp but the sunflowers in the background…
Strategies for Photographing Birds at Take-off
Photographing birds at take-off is very different from shooting them in flight, for a variety of reasons. In fact in some ways it’s more difficult. First, I’d best define what for me is a take-off shot. I think it’s a take-off and not a true flight shot when any of the following conditions are met: a.) the bird’s feet are still touching the perch, b.) the feet are still extended down or behind the bird from the effort of pushing off the perch and not tucked up against the body in an aerodynamic position or c.) it’s obvious from the flight posture of the bird or the presence of the just departed perch in the image that it has just taken off. I realize that this is an arbitrary definition and that technically as soon as the bird has left the perch it’s in flight but that’s how I’ll define it for this discussion. Take-off shots have lots of appeal for many, largely because the effort required for lift-off often provides a very dynamic flight posture with the wings, tail and legs/feet in exaggerated positions compared to “simple” flight. Many novice bird photographers are intimidated by the difficulties of flight photography and attempt take-offs instead, in the mistaken assumption that they should be relatively easy. Not so. Following are some strategies and tips for getting good take-off images that have worked for me. I hope they’ll be helpful to some of you. Plan ahead to avoid clipping body parts – particularly the wings: Many novice avian photographers are unpleasantly surprised by the amount of wing extension during take-off and they cut…
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Meadowlark – Wary At First, Then Singing With Gusto
I tend to like gnarly old sagebrush perches and I’ve had my eye on this one for a while. It’s close to the road, in good light in the morning and Western Meadowlarks use it often. But unlike when they’re perched on an ugly sign, they always seem to fly off as I approach when they’re on this one.
That changed yesterday morning.
A Couple Of More Meadowlarks
I wanted to post two more recent Western Meadowlark images that weren’t take-off shots, like my last post of this species. 1/2500, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light This image, taken four days ago, shows the bright yellows on the belly, breast and throat but part of the bird is obscured. Obviously it was singing up a storm. Just looking at the image brings the song into my head. 1/5000, f/5.6, ISO 640, 500 f/4, 1.4 tc, natural light And this one, from two days ago, shows the backside. I was very close to this bird. So close that I had to shoot vertically, which complicates things with my long, awkward lens. By the time I had it framed and got off a few shots I realized that my settings were wrong for the situation (didn’t need the high ISO or shutter speed and more depth of field would have kept more of the sagebrush sharp) but by then it was too late and the bird took off. Sometimes birds cooperate and then they don’t… Ron PS – As I was working on this post which was meant to be published tomorrow morning I hit “publish” instead of “update” before it was ready. So there’s some “hiccups” in it, especially for those who get the post emails. Sorry. I’ve always worried about doing that…
A Meadowlark Morning
Yesterday morning there was meadowlark magic on the island. They were almost everywhere, singing lustily from atop their sagebrush and rabbitbrush perches (and more than a few ugly signposts). Several times I just stopped the truck, turned the engine off and got outside to listen. You could hear dozens of them simultaneously – some very close, some far away and others everywhere in between. Their melodious calls literally bounced off the hilltops.
A Spring Morning In The West Desert
We had a wonderful time out on the west desert again this morning. The light was great, the birds were singing and everything was clear, crisp and clean. This post is meant to give you a feel for what it was like.
My First Western Meadowlark Of The Season
Ok, despite the fact that it’s turning colder again this week I’m now convinced that spring has arrived because two days ago I finally got close enough to photograph a singing Western Meadowlark – my first of the year. 1/2500, f/6.3, ISO 640, 500 f/4, 1.4 tc, natural light I was sure the bird would fly off as I approached, just as all the others have this spring, but this one stuck. I like the somewhat different head angle in this shot. 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light I probably have more trouble with framing this species than any other because their legs are always longer than I think they are when they’re buried in the perch like this and I typically don’t leave enough room for at least one of them. This time I think I did. 1/3200, f/6.3, ISO 640, 500 f/4, 1.4 tc, natural light When the bird would break out in song it truly lifted my spirits, as it always does. They’re just so enthusiastic about it and when you’re close the sound can go right through you – in a good way. I’m always impressed by the size of their mouth which seems to be exaggerated some by that long beak. I suspect there are a few of my regular readers who are unfamiliar with the call of this songster (Elephant’s Child in Australia, for example) so I’ve provided a link to their song if you’d like to hear it (scroll down about half-way). These birds (and their…
Too Cold For Meadowlarks?
I’m used to seeing Western Meadowlarks all winter long. True, their numbers go down as some of them migrate south but there always seems to be a resident population of them here in northern Utah and I typically photograph them year-round. Not so this winter. 1/3200, f/7.1, ISO 500 500 f/4, 1.4 tc, natural light (techs were set for take-off) This is the last meadowlark I photographed, taken on 28 December, 2012 and it’s been weeks since I’ve even seen one. Though they’re a permanent resident in my area we’re right on the border between their “permanent resident” and “breeding resident” ranges – see map if you’re interested. I suspect they’ve all vamoosed for warmer climes because of our recent extremes of cold and snow. If that’s the case, this is one more species I’ll add to my list of birds whose return I’ll anticipate as harbingers of spring. Ron
Why The Killdeer Doesn’t “Perch”
More than half of all bird species (5000+) are classified in order Passeriformes and referred to as passerines. Passerines, sometimes known as perching birds or less accurately as songbirds, have four toes – three of them directed forward and one toe directed back. This arrangement allows for stable perching on structures such as small branches and herbaceous stems because the hind toe is opposable to the others (much like our thumbs are opposable to our fingers) which allows “grasping”. Interestingly, the tendon/bone anatomy of a passerine causes automatic closing of the foot (grasping) when the leg bends – such as when it lands on a typical perch. This arrangement also allows passerines to sleep on a perch without falling off. Here you can see the typical “three toe forward, one toe back” arrangement on this Savannah Sparrow that allows passerines to grasp narrow perches like branches or wires and remain stable on them. Animals without something like this toe arrangement would be “walking a tightrope” but these birds have no problem with it. Maintaining stability on a perch such as this would be virtually impossible without the ability to grasp, particularly in a breeze (this is a Loggerhead Shrike). This shot of a juvenile White-crowned Sparrow gives us a better look at all four toes. One more look at the opposable rear toe, this time on a Western Meadowlark. Ok, now to my point. Many birds that do not typically “perch” (with exceptions) are waterfowl and shorebirds. The Killdeer is a plover but because of the habitats…
Western Meadowlarks In Snow
Yesterday was a glorious day on the island with about 6″ of fresh snow and wonderful light. It was simply delightful. The Western Meadowlarks seemed to be a little “stickier” than usual, perhaps because of all the snow. 1/3200, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light This one was half buried in the snow but I liked all the convolutions in the snowy setting. 1/3200, f/8, ISO 500, 500 f/4, 1.4 tc, natural light This meadowlark was the most cooperative bird of the morning as it posed for me for over 6 minutes on top of some rabbitbrush. 1/2500, f/8, ISO 500, 500 f/4, 1.4 tc, natural light It never did turn around to show that bright yellow breast but it did give me some nice head turns to make up for it. 1/2000, f/7.1, ISO 500, 500 f/4, 1.4 tc, natural light Meadowlarks are well-known for a behavior called “tail flashing”, something they often do during territorial disputes. During tail flashing the tail is nervously (and very quickly) snapped open and closed, better revealing the white outer tail feathers. The bird was cooperating so well that I made it my goal to try to catch the tail spread to show those white feathers, which turned out to be much easier said than done. It happens so quickly that you just have to fire a burst and hope for the best. I took 208 shots of this bird (at least half of them were attempts to get the open tail) and only got…
Western Meadowlark Potpourri
On my last post which featured closeups of mating Lark Sparrows, long-time follower of my blog Tana Hunter asked “How about getting this close to some meadowlarks?” Her request reminded me that I’ve posted very few images of Western Meadowlarks in the 19 months I’ve been blogging so I did a little digging and these images are what I came up with. It’s another relatively long post but with this weather and its attendant crappy light I can’t be out shooting birds so I might as well be playing around with their images to take some of the sting out of my cabin fever… Here are a few interesting factual tidbits about Western Meadowlarks to hopefully get you in the mood: Although early explorers (including Lewis and Clark) were aware of the existence of the Western Meadowlark, it was subsequently ignored by most naturalists of the day so when John James Audubon gave the bird its Latin name, he chose Sturnella neglecta (the species name in recognition of that lack of attention) The Western Meadowlark is not a lark (though it is a gifted songster); instead it is most closely related to the blackbirds When probing into soil for food, these birds force their long bills into the ground and then the mandibles are spread apart, opening and loosening the soil to make food more obtainable They are particularly fond of sprouting grain in farmers fields. They bore into the soil with the long bill, grasp the soft germinating seed and then crush it to obtain the milk and usually discard…
A Mixed Bag Of Recent Birds
These images were all taken over the last eight days, either at Bear River Migratory Bird Refuge or Antelope Island. Another one of my “potpourri” posts with no common theme except “feathers”. 1/640, f/7.1, ISO 640, 500 f/4 The Willets have finally come up on the island for their mating activities (as opposed to the shoreline for recuperation after migration) and I like to try to catch them perched high on the sagebrush where they call loudly to other Willets. 1/2500, f/6.3, ISO 500, 500 f/4, 1.4 tc Western Meadowlarks are in their glory right now and their distinctive songs reverberate all over the island. 1/5000, f/6.3, ISO 500, 500 f/4, 1.4 tc I got closer to this one than I usually can. 1/1600, f/7.1, ISO 500, 500 f/4 This Loggerhead Shrike was grooming peacefully when I noticed a distinct change in its behavior. 1/1250, f/7.1, ISO 500, 500 f/4 A Common Raven flew low overhead and this was the shrike’s reaction. It flattened its body out almost into a bullet shape and pointed that bullet at the raven as it passed. I’m guessing it was an instinctive behavior to present the smallest profile possible to a larger bird that might be a potential threat. It was comical to watch it turn as the raven flew by to keep its body pointed in the larger birds direction. 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc I’m always happy to catch a Chukar perched on a boulder, especially when it isn’t one of the…
A Recent Potpourri Of Birds From Antelope Island
Antelope Island always has an interesting mix of birds for the photographer and birder. During the winter months raptors are one of the primary attractions for me but soon after the cold months are over they begin to thin out and the migrating spring birds begin to appear. The last several weeks have been in transition with fewer raptors but many migrating species are beginning to show up – in addition to the many year-round residents on the island. With this post I thought I’d present a few shots from the past week or so as a small representation of some of the common birds right now. 1/2500, f/6.3, ISO 500, 500 f/4, 1.4 tc Black-billed Magpies are year-round residents of the island and they’re in a nesting frenzy right now which allows for some interesting opportunities for the photographer. This bird is landing on a bush very near its nest. 1/1250, f/7.1, ISO 500, 500 f/4 Springtime is my favorite season to photograph Chukars because they’re all dolled out in fresh plumage and they’re very approachable when they’re calling from rocks. For much of the rest of the year they spend their time scurrying around in the vegetation and it’s quite difficult to get a clean shot. This one was calling with a lot of enthusiasm! 1/3200, f/5.6, ISO 500, 500 f/4, 1.4 tc Some of the Loggerhead Shrikes also remain on the island year-round but their numbers increase noticeably in spring. 1/1000, f/6.3, ISO 640, 500 f/4, 1.4 tc It’s always a treat when the Long-billed Curlews return to…
Meadowlark Take-off
Just a single image this time. While photographing magpies at their nest this morning this cheeky Western Meadowlark had the gall to land right next door to the nest for a few seconds before it took off again. 1/2500, f/7.1, ISO 500, f00 f/4 I’d taken the teleconverter off for the larger magpies so it’s a bit of a heftier crop than I’d prefer and I wish I had a little more room up top for composition. And there’s some “stuff” in front of the bird but despite all that I liked the shot anyway. These meadowlarks are beginning to sing up a storm out on the island. Ron
Critters Among the Sunflowers of Antelope Island
Antelope Island is ablaze with color this fall, provided by the common sunflower Helianthus annus. The sunflower display is really quite spectacular this year – the most prolific I’ve ever seen it. I suspect it’s because of the very wet spring we’ve had. The sunflowers can provide a very pleasing setting for wildlife photography, whether the flowers are in focus along with your subject or out of focus to show off some pleasing and unusual color in the background bokeh. Canon 40D @ 72mm, 1/800, f/6.3, ISO 320, EV +0.33 It’s unusual for me to get so close to a pronghorn that I don’t have to use a telephoto lens but these bucks are in rut right now and they’re so intent on herding their harem of females that they’re not nearly so wary of people and vehicles. So I quickly pulled out my old 40D and shot this handsome fella at only 72mm while he was right next to my pickup and staring intently at his ladies close by. This allowed me to keep many of the sunflowers relatively sharp and gave a different “feel” to the image than I usually get with my big glass. Canon 7D, 1/2500, f/5.6, ISO 640, EV + 0.33, 500 f/4, 1.4 tc In contrast to the previous image, this Vesper Sparrow was shot with my 500mm and 1.4 teleconverter (1120mm with the crop factor of the 7D) at f/5.6 which gave me very little depth of field – just enough to get the sparrow sharp but the sunflowers in the background…
Strategies for Photographing Birds at Take-off
Photographing birds at take-off is very different from shooting them in flight, for a variety of reasons. In fact in some ways it’s more difficult. First, I’d best define what for me is a take-off shot. I think it’s a take-off and not a true flight shot when any of the following conditions are met: a.) the bird’s feet are still touching the perch, b.) the feet are still extended down or behind the bird from the effort of pushing off the perch and not tucked up against the body in an aerodynamic position or c.) it’s obvious from the flight posture of the bird or the presence of the just departed perch in the image that it has just taken off. I realize that this is an arbitrary definition and that technically as soon as the bird has left the perch it’s in flight but that’s how I’ll define it for this discussion. Take-off shots have lots of appeal for many, largely because the effort required for lift-off often provides a very dynamic flight posture with the wings, tail and legs/feet in exaggerated positions compared to “simple” flight. Many novice bird photographers are intimidated by the difficulties of flight photography and attempt take-offs instead, in the mistaken assumption that they should be relatively easy. Not so. Following are some strategies and tips for getting good take-off images that have worked for me. I hope they’ll be helpful to some of you. Plan ahead to avoid clipping body parts – particularly the wings: Many novice avian photographers are unpleasantly surprised by the amount of wing extension during take-off and they cut…