Tag: ferruginous hawk

Strategies for Photographing Birds at Take-off

Photographing birds at take-off is very different from shooting them in flight, for a variety of reasons.  In fact in some ways it’s more difficult.  First, I’d best define what for me is a take-off shot.  I think it’s a take-off and not a true flight shot when any of the following conditions are met: a.) the bird’s feet are still touching the perch, b.) the feet are still extended down or behind the bird from the effort of pushing off the perch and not tucked up against the body in an aerodynamic position or c.) it’s obvious from the flight posture of the bird or the presence of the just departed perch in the image that it has just taken off.  I realize that this is an arbitrary definition and that technically as soon as the bird has left the perch it’s in flight but that’s how I’ll define it for this discussion. Take-off shots have lots of appeal for many, largely because the effort required for lift-off often provides a very dynamic flight posture with the wings, tail and legs/feet in exaggerated positions compared to “simple” flight.  Many novice bird photographers are intimidated by the difficulties of flight photography and attempt take-offs instead, in the mistaken assumption that they should be relatively easy.  Not so.  Following are some strategies and tips for getting good take-off images that have worked for me.  I hope they’ll be helpful to some of you.   Plan ahead to avoid clipping body parts – particularly the wings: Many novice avian photographers are unpleasantly surprised by the amount of wing extension during take-off and they cut…

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Birds, Lamentations And Musings From My Recent Trip To Western Montana

Recently Mia and I spent just over a week in western Montana on another camping/photo excursion.  It was a trip packed with wonderful birds, breathtaking scenery, colorful characters and almost too much drama for me.  We spent two days at Red Rock Lakes National Wildlife Refuge, then four days on the western Montana farm near the Canadian border where I grew up and then spent one night at Red Rocks again on the way home.   In this post I’ll include a sampling of photos from the trip in the rough order they were taken.    Canon 7D, 1/1250, f/5.6, ISO 800, EV +1.00, 800 f/4, 1.4 tc This Long-billed Dowitcher photo was taken at a pond on the refuge that often has many birds of good variety but it’s difficult to get good light at this location.     Canon 7D, 1/2000, f/6.3, ISO 800, EV +0.00, 500 f/4, 1.4 tc This Least Sandpiper gave me a similar pose as in the previous shot but I liked the head turn and lighting better (even though it made the whites a challenge to expose properly).      Canon 40D @22mm, 1/60, f/14, ISO 500, EV +0.33 Mornings at Red Rocks are often spectacular.  Here the sun is just beginning to rise on a layer of ground fog with another layer of low clouds just above the fog.  Roads similar to and much worse than this one were the source of the drama I referred to earlier.  On this trip we had a total of four flat tires, most…

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The Frustrations of Unnatural Perches

Most bird photographers prefer their subjects to be on natural perches.  We are, after all, nature photographers.  The definition of just what is “natural” becomes a slippery slope for sure but for my purposes I’ll define a natural perch by exclusion – it does not include buildings, telephone poles and wires, chunks of concrete, signs, or most anything else that is obviously man-made. Now for my exceptions.  Some objects that are man-made and have a “rustic” quality are often acceptable.  Weathered fence posts, old barns and rusty barbed wire would be examples.  One of the major frustrations of bird photographers is to be able to finally get close to a beautiful subject in good light but the bird has chosen an ugly or inappropriate (for us) man-made perch.  It is typically very difficult to approach many bird species close enough to get excellent detailed photos, even with big expensive lenses.  So it can be aggravating in the extreme to finally get close enough but the bird has chosen an unappealing perch.  Some folks choose to largely avoid this problem by shooting at “setups” where the bird has been unnaturally lured into an artificial situation by provided food with attractive perches arranged close by.  To many of us this is not nature photography but more like studio or zoo photography.  Good bird photography ain’t easy.  If it were it wouldn’t be nearly as satisfying when I do finally get the shot I’m after – even though the pursuit has often been frustrating.  Below are some of the situations where I’ve been frustrated by these unattractive, unnatural perches.        Most bird photographers know…

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