canon 7d – Page 3 – Feathered Photography

Red-tailed Take Off From Farmington Canyon Complex Rocks

I’ve said before how much I prefer the very dark Farmington Canyon Complex rocks on Antelope Island as perches, over the bright white Tintic Quartzite rocks found on the northern part of the island. This juvenile Red-tailed Hawk made my morning last month when it chose just such a rock to hunt from. I always enjoy it when I can get multiple shots of some interesting behavior or action in sequence. To me it’s almost like a very slow motion video and though it may include a few images that aren’t perfect individually I think that collectively the photos gain value as a group for what they illustrate – the whole can be greater than its parts. 1/2500, f/7.1, ISO 400, 500 f/4, 1.4 tc, shot from pickup window, natural light, not baited, set up or called in Photographing take-offs is always a challenge. The bird may just sit there for a half hour or longer but when it happens it’s quick and easy to miss. 1/2500, f/7.1, ISO 400, 500 f/4, 1.4 tc, shot from pickup window, natural light, not baited, set up or called in You also need to be concerned about what direction it will go and if you’re too close (it’s easy to clip wings if you are) or too far away (which shows less detail). Those with zoom lenses have an advantage over me because they can quickly adjust their focal length to whatever they want within their zoom range, while the only option I have is to attach or detach my teleconverter, which is cumbersome and takes time. …

Red-tailed Hawk With Blooming Rabbitbrush

I love the fall colors of the blooming rabbitbrush on Antelope Island. I’m always looking to photograph songbirds perched on it because it can make such an attractive setting but for some reason they don’t often use it for a perch. But about two weeks ago I was able to get some images of this juvenile Red-tailed Hawk with blooming rabbitbrush in the setting and even though, in many of those photos, the rabbitbrush is a little “busy” and takes attention away from the bird, I still liked the shots for a change of pace from the soft, unidentified bokeh that is often preferred in avian photography. Some of these shots show habitat well and sometimes that’s a good thing… 1/2000, f/7.1, ISO 500, 500 f/4, natural light, not baited, set up or called in This bird had been “sit and wait” hunting as it was perched very low and close to me on a rusty, metal gate when it spotted something at the base of this rabbitbrush and flew in for the capture. At first I thought it had been successful because the hawk was “mantling” (spreading wings and tail over prey to hide it from potential competitors) but in the end it came up empty-taloned. 1/2000, f/7.1, ISO 500, 500 f/4, natural light, not baited, set up or called in So it soon flew off and I was able to get some shots as it did so. I like the dynamic take-off posture in this image, though some may find that the relative sharpness and bright…

Juvenile Red-tailed Hawk Take-off

Recently I’ve had several opportunities with a pair of Juvenile Red-tailed Hawks that like to hunt from some elevated rocks that look down over some prime rodent habitat. It’s nice for a change to find them on natural and attractive perches rather than telephone poles or even fence posts. Don’t get me wrong, I like a rustic old fencepost as a perch but I do enjoy these natural rocks for a change. 1/8000, f/5.6, ISO 640, 500 f/4, 1.4 tc (inappropriate techs for this shot, hadn’t had time to change them yet) The birds scan the grasses below them for prey and if you watch their behavior and body language carefully you can anticipate take-off. 1/2500, f/7.1, ISO 640, 400 f/4, 1.4 tc I could tell this bird had spotted potential prey below (a vole, most likely) so I was ready to fire off a burst as it launched. I’m always happy when I can get a wing position like this one. 1/2500, f/7.1, ISO 640, 400 f/4, 1.4 tc In the very next frame of the burst I got a similar wing position as it lifted off of the rock and luck played a significant role in that fact. The burst rate of my Canon 7D seems to be just about the same speed as that of the wing-beats of raptors this size as they take off, so there was a very good chance that the wings in both shots would be in the much less desirable horizontal position. Sometimes things work out, sometimes they don’t. Observing and photographing these two birds has…

Male Northern Harrier Almost Blown Off His Perch

I don’t often get close to perched male harriers but on Antelope Island a couple of months ago this one made an exception for me. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc As I watched him through my lens a sudden wind gust almost blew him off of this pointed and precarious post perch and I liked some of the poses that resulted. It’s times like this that I appreciate the relatively fast burst rate of the Canon 7D. I didn’t get a great look at the eye in this first shot but I liked the tail, wing and left foot positions that show his obvious attempt to recover stability on the perch. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc A better look at the eye and a higher wing position in this image… 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc and in the very next frame he extends his left wing far out in front. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc Still recovering. Notice the bloody feet in these shots, most likely from his last vole meal. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc Finally, he’s recovered enough to give me direct eye contact. 1/2500, f/5.6, ISO 640, 500 f/4, 1.4 tc A little ruffled by the experience but in the end, all’s well. This series is an example of why, after I’ve taken a few static shots of the bird, I like to bump my settings to give me enough shutter speed…

Some More Burrowing Owls

I simply can’t resist photographing Burrowing Owls. 1/100, f/5.6, ISO 500, 500 f/4, 1.4 tc These youngsters often have a balance problem when they try to perch on the relatively unstable sunflowers, which can be a good opportunity for the photographer to get some interesting poses. One of the problems here was that the sun was just coming up and the light was very low as you can see from my very slow shutter speed. Even though this bird fluttered on the perch for quite a while I ended up trashing most of those shots because they just weren’t sharp enough. But the other problem just about drove me batty for a while. For some reason my Canon 7D wouldn’t allow me to adjust my exposure (ev). How very frustrating to have this bird giving me such nice poses while I’m thinking the entire time that I’m over-exposing the shots and can’t do anything about it! It turned out that my exposure for these shots was just right (I’ve done no exposure adjustment in post-processing with this image) but it took me (us) a half hour to figure out what the problem was with my camera. Mia saved the day by downloading the 7D manual to her phone and in the end the problem turned out to be that I had inadvertently switched on the “lock” button on my camera. Sheesh! 1/2000, f/6.3, ISO 400, 100-400 @ 300mm I thought some of you might like to “meet” most of the Burrowing Owl family I’ve been photographing this summer. From left to right #3 and #5…

Swainson’s Hawk Take-off

A couple of weeks ago I watched as a couple of juvenile Swainson’s Hawks hunted grasshoppers on the ground in Montana’s Centennial Valley. The birds were often largely obscured by grasses so I waited for take-off. . 1/2000, f 7.1, ISO 500, 500 f/4, 1.4 tc In a situation like this it’s usually very difficult to lock and maintain focus on the bird as it takes off because of the closeness of the grasses in the background – typically autofocus tries to lock on to the background elements when they’re this close to the subject. But in this case there was enough contrast between the light-colored grasses and the relatively dark bird that I was able to get 13 images where the bird was sharp and no body parts were clipped. The problem with many of them (as often happens) was that the timing of the wing flaps was synchronized with the burst rate of my Canon 7D and the wing position in many of those shots wasn’t ideal. I wasn’t bothered by the flying insect below the bird for two reasons: 1), it amused me because it almost looks like the bug is taking flying lessons from the hawk and 2), it was natural and it was there. 1/2000, f 7.1, ISO 500, 500 f/4, 1.4 tc When I get similar shots such as these I can’t help comparing the strengths and weaknesses of each. I prefer the better eye contact in the first image but like the wing and tail position and better light under the wing…

Landing Juvenile Burrowing Owl

We had some more fun with the family of Burrowing Owls this morning. There are two adults and at least seven chicks. Some of the youngsters have been banded, which may be good for the owls but it isn’t particularly good for photography so I was happy to see that this one wasn’t wearing any jewelry. 1/2000, f/6.3, ISO 640, 500 f/4 One of the adult birds spent much of the morning perched on sagebrush to the left of this one and occasionally one of the youngsters would come in and land close by. I was pleasantly surprised by the eye contact in this image. Usually they’re looking down at this point in the landing process but I think a slight headwind gave this bird time enough to glance up at my pickup just to make sure we continued to be no threat. In the very next frame the owl was beginning to look down at its landing spot on the sage. I love the very early morning light on these owls but especially on the juveniles. The tradeoff is that ISO 640 is pushing it for my Canon 7D but I always like to have good shutter speed when an opportunity like this suddenly appears. I had taken off my tc but still barely fit the owl in the frame. The upper background is a distant sandbar and sloping shoreline of the Great Salt Lake. 1/1600, f/6.3, ISO 640, 500 f/4 I was able to get five sharp shots as this owl was coming in. My favorite of the sequence is the first image…

Fighting Curlews And This Photographer’s Rookie Mistake

Occasionally I’ll make a post that illustrates a mistake I’ve made as a photographer in the hope that it will help me to learn from my error and possibly even enlighten some of my viewers who may be bird photographers. Well, last week I made a doozy of a mistake! I had been photographing a pair of Long-billed Curlews on Antelope Island and as per usual for me I was using my 500 f/4 with attached 1.4 tc, which when combined with the crop factor of my Canon 7D gives me an effective focal length of 1120mm. Suddenly a second male unexpectedly flew in to challenge the original male and immediately all hell broke loose. The action was incredibly quick with wings, legs, long bills and tails flailing in every direction and it turns out that I was simply too close to the birds with my lens and tc combination to prevent clipping body parts in most of my images of the fight. I remember thinking I should take off the tc but I was afraid that by the time I had done so the action would be over. That was a mistake – the altercation lasted for several minutes and I had plenty of time to switch. I decided to post some of the series anyway because the tightness on the birds gives an intimate look at some of the details of the squabble but I’ll be the first to admit that I’d trade those details in a heartbeat for having not clipped and cut off body parts. There were no preliminaries. The battle began immediately after…

The Harrier And The Dumpster

Multiple times in the past few years there’s been a Northern Harrier perched on one of the bushes around this gravel parking lot but without exception every time I’ve tried to approach the bird it has flown off before I could get close enough for a quality shot. Frustrating… So earlier this week when I spotted a handsome male on the large darker bush to the right in the photo below I decided to try a different tack. Birds very often seem much less inclined to spook if there’s something between them and the photographer and it doesn’t have to be anything very substantial – even a few twigs will often do. Having something physical between them and a potential threat seems to give them a sense of security. So even though I’ve often cussed this ugly old dumpster over the years (I realize it’s there for a very good reason) I decided to try to put it to good use for my purposes. I slowly drove to the left of the dumpster, turned around and approached the bird with the dumpster between me and the harrier. The harrier obviously knew I was there but with the ugly old hunk of metal between us it didn’t fly off. Then as I got very close to the dumpster I slowly turned to my right just far enough to give me a look at the bird through my lens from my pickup window. 1/3200, f/6.3, ISO 500, 500 f/4, 1.4 tc As you can see the harrier was…

Just A Shot That I Like… #6 – Short-eared Owl In Flight With Prey

Sometimes conditions are marginal at best for avian photography and that often seems to be the case for me when I’m presented with an otherwise wonderful opportunity. Then the decision must be made – go ahead and shoot anyway, knowing it’s likely that I won’t get any keepers or just pack it in and watch and enjoy the birds? 1/640, f/5.6, ISO 800, 500 f/4, 1.4 tc, noise reduction to background Such was the case with this Short-eared Owl at Montana’s rugged and remote Centennial Valley. It was an overcast day and there generally wasn’t enough light for photographing birds in flight but this male was regularly delivering voles to his family and would occasionally fly right by me as he did so. I could have removed my teleconverter to get a little more shutter speed but then the owl would be quite small in the frame so I just decided to fire away and hope for the best. Even at ISO 800 (the absolute limit for my 7D without getting too much noise) I was often getting shutter speeds of 1/500 or slower at f/5.6 – just not fast enough to get birds in flight sharp. I got lucky with this shot. As the owl was coming in, the clouds behind me opened up slightly to allow a little more light on the bird and a shutter speed of 1/640 – just enough to get good sharpness on a relatively large and slow flying bird if your focus is well locked on to the subject. The still shaded Centennial Mountains provided…

Strategies for Photographing Birds at Take-off

Photographing birds at take-off is very different from shooting them in flight, for a variety of reasons. In fact in some ways it’s more difficult. First, I’d best define what for me is a take-off shot. I think it’s a take-off and not a true flight shot when any of the following conditions are met: a.) the bird’s feet are still touching the perch, b.) the feet are still extended down or behind the bird from the effort of pushing off the perch and not tucked up against the body in an aerodynamic position or c.) it’s obvious from the flight posture of the bird or the presence of the just departed perch in the image that it has just taken off. I realize that this is an arbitrary definition and that technically as soon as the bird has left the perch it’s in flight but that’s how I’ll define it for this discussion. Take-off shots have lots of appeal for many, largely because the effort required for lift-off often provides a very dynamic flight posture with the wings, tail and legs/feet in exaggerated positions compared to “simple” flight. Many novice bird photographers are intimidated by the difficulties of flight photography and attempt take-offs instead, in the mistaken assumption that they should be relatively easy. Not so. Following are some strategies and tips for getting good take-off images that have worked for me. I hope they’ll be helpful to some of you. Plan ahead to avoid clipping body parts – particularly the wings: Many novice avian photographers are unpleasantly surprised by the amount of wing extension during take-off and they cut…

Red-tailed Hawks of Utah’s West Desert

Red-tailed Hawks are common and widespread throughout most of North America but I typically find them to be wary and difficult subjects to approach and photograph. However we did have some pretty good luck with them a couple of mornings this past week in western Utah. Canon 7D, 1/2000, f/6.3, EV -0.67, ISO 640, 500 f/4, 1.4 tc We found them deep in a canyon of one of the many “island mountain ranges” of Utah’s west desert. There were at least a half-dozen of them hanging out together, many of them juveniles. The lighting at the bottom of the canyon in early morning was often filtered and spotty and the perches were usually dead trees with lots of branches going every which way so the backgrounds and settings were typically busy. This is one of the cleaner shots I got of one on a perch in the canyon bottom. Canon 7D, 1/2000, f/6.3, ISO 640,EV -1.00, 500 f/4 This one chose a juniper perch which would provide a clean background for a takeoff shot so I tried to leave room in front of the bird just in case. I was looking slightly down on the hawk when it launched and I liked the good look at the topside of the bird in this shot but do wish it had been looking more my way. But then I probably wouldn’t have any light on the eye – sometimes you just can’t win… Canon 7D, 1/1250, f/6.3, ISO 640 EV +0.33, 500 f/4 Shooting these hawks in flight was very frustrating! Each morning they would pretty much…

American Kestrels – What They’ll Eat and What They Won’t.

I’ve always found it fascinating to watch these little falcons eat. A gruesome experience to be sure but so much more interesting than observing a raptor such as an owl who simply swallows its prey whole. And if you watch carefully there’s a whole lot more going on during the process than first meets the eye. Kestrels can be pretty picky eaters. I’ve documented in another post on this blog that they often refuse to eat the intestinal tract of their prey and deliberately discard it. Kestrels, like other raptors, eject pellets of indigestible materials like fur, feathers, chitin and bone. All food that is swallowed first goes to the crop. From there the usable food continues on to the stomach but the indigestibles stay in the crop, are formed into a pellet and regurgitated roughly 23 hours (in the case of kestrels) after the meal was consumed. Canon 7D, 1/800, f/7.1, ISO 640, 500mm f/4, 1.4 tc The kestrels I’ve watched eating voles and mice typically eat the brain, decapitate the rodent, then go for the soft internal protein rich muscles and other organs (discarding the intestines). Since kestrels tear their prey into bite-sized pieces they can pick and choose what they actually swallow. Canon 7D, 1/400, f/8, ISO 640, 500mm f/4, 1.4 tc Pellet expulsion can be difficult and traumatic as I’ve documented elsewhere on this blog with Northern Harriers and I suspect that’s one of the reasons that kestrels try to avoid swallowing as much fur as possible. When opening up the body cavity they often get a beak-full of…

The Challenges of Photographing Birds in Flight in Low Light

Photographing birds in flight in relatively low light (dusk, dawn, cloudy conditions etc) isn’t easy. In addition to the expected challenge of locking focus onto a fast and often erratically moving target, in low light you have the problem of getting enough shutter speed to get a moving subject sharp. A potential solution to the problem is “opening up” – increasing the size of the aperture, which is the same as reducing the f-number – say as in changing your setting from f/7.1 to f/5.6. This lets more light into the camera in the same amount of time, allowing for an increase in shutter speed to freeze the motion of the bird. Opening up however has another effect – reducing depth of field, so less of your subject is likely to be tack sharp. Another potential solution is to increase ISO. Increasing ISO in digital cameras has the effect of seeming to increase the sensitivity of the camera’s sensor to light so that faster shutter speeds can be used but the downside to increasing ISO is that it can increase digital noise in the image. Sometimes in bird photography fantastic opportunities with birds in flight present themselves in less than ideal light. Your best chance at an acceptable image under those conditions is to understand the interplay between your camera settings – how changing aperture affects shutter speed and depth of field and how changing ISO affects shutter speed and the production of digital noise. Male Northern Harrier, 1/1250 @ f/11, ISO 800 It’s not often I get a…

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