Baiting Coyotes On Antelope Island
I’m of the strong opinion that baiting wild animals of any kind for photographic purposes (or most any other purpose, with very few exceptions) is a despicable practice. It often puts the critter at risk in a variety of different ways and no photo is worth that. I’ve railed against baiting before on this blog so I won’t go into all the details once again here. But this morning I saw another example of why I despise this practice so much. The weather has been dreary and overcast for so long that I haven’t been out photographing for a while, but this morning we decided to head for Antelope Island just to get “out there” and ease our cabin fever a little, despite the clouds. As we came around a small curve on the island we noticed this coyote in the middle of the road. I could hardly believe it when I saw that it was feeding on dog food that someone had obviously spread down the center of the road in an attempt to lure coyotes up close and into an area where they wouldn’t be obscured by vegetation. And it worked! Even as close as we were, the coyote was intent on eating all of the dog food before it left the area. After taking a few documentary photos I drove up to the spot and then we picked up the kibbels and threw them away from the road (we probably should have taken them with us but I didn’t think of it at the time). We then reported what we saw…
Great Horned Owls On The Montana Family Farm
Note: When I first started blogging 19 months ago, I somewhat arbitrarily decided to post my photos at 720 pixels on the long side. It didn’t take me long to change my mind and begin posting significantly larger images for the much better quality that becomes apparent at that larger size. Since that time I’ve pretty much ignored those early posts, until yesterday when Ingrid Taylar brought my attention to this Great Horned Owl post and it reminded me just how small the images are. So, I’ve decided to repost a very few of those very early works, with some additions and changes which will include: larger images – 900 pixels on the long side additional images, in most cases techs included with the photos updated narrative I’m thinking there might be two or three of these reposts over the next several weeks. I hope you’ll bear with me… For many years now there has been at least one pair of nesting Great Horned Owls on the farm where I grew up near Cut Bank, Montana. They were never there when I was a kid but they’ve sure taken to it since. This farm still seems like home to me and I return to it at least once every year for a visit with family and of course to check up on the owls. It’s the perfect place for these birds as it’s isolated, there are many old barns and granaries for the owls to find sanctuary and the area is literally crawling with field mice, voles and the ubiquitous Richardson’s Ground Squirrel…
Poop, Perches and Personal Preferences
Many raptors are “sit and wait” hunters, which means they often hunt from an elevated perch instead of “on the wing” and Red-tailed Hawks are well-known for this practice. An elevated perch provides good views over a large area and no extra energy need be expended in flight while looking for food. Typically these birds will use the same productive perch repeatedly over long periods of time, which presents a challenge to the photographer – poop (hereafter referred to as “whitewash”). Whitewash consists largely of crystalline uric acid (it’s more complicated than that but I’ll try not to stray into a discussion of the functions of the cloaca), which tends to be bright white. That whitewash can create some aesthetic and ethical conflicts between a “natural shot” and an image that has been “Photoshopped” to death, primarily by use of the clone tool. Many photographers routinely clone out whitewash and/or droppings and I’ll admit that I’ve done it before, but for me it’s an ethical dilemma because I much prefer to leave my images as natural as possible since I consider myself to be a “nature photographer”. In fact, right now I’m struggling with a series of Horned Lark images that I really like, but there’s a large, fresh and very conspicuous dropping right in front of the birds foot that most would find distracting. I could clone it out but every time I looked at that image I would know what I’d done. Canon 7D, 1/4000, f/5.6, ISO 640, 500 f/4, natural light, not baited, set up or called in A couple of days…
Mean-fighting Coots
American Coots are, without question, the most aquatic, common and widely distributed rail species in North America. Clumsy and awkward fliers, they require long running take-offs to become airborne but they are skilled swimmers – largely due to their lobately webbed toes. And oh, are they ever ornery! But first, allow me to make a few excuses… These images of fighting coots were taken several years ago when I was relatively new to photography. My settings weren’t particularly appropriate so I’m not including them here. And most of these photos were shot in JPEG rather than RAW, so my processing options were extremely limited when I tried to adjust exposure, so the frustratingly white bill is pretty bright in a few of these images. This is one of the aggressive postures used by males to challenge other males. Whenever I see this I know that all hell is about to break loose and I’d better be ready. In my experience, coots have two primary fighting strategies. One is for each bird to lie on their backs in the water while propped up by their wings and tails and strike out at each other with their feet and claws. In this fighting position, their defense is to try to grasp the opposing birds feet. Here we get a good look at those unusual lobed toes. If they become locked together they then fight with their bills. The second fighting strategy uses bills and wings as weapons. If one bird gains the advantage it often tries to force its opponent underwater. The losing bird…
My Recent Encounters With The Female Prairie Falcon
As regular readers of my blog know, I’ve had four close-up encounters with this female Prairie Falcon on the Antelope Island causeway over the last couple of months. I couldn’t resist posting some images of her in different poses that I haven’t published here previously. There is general agreement among folks who are much more knowledgeable about falcons than I am that it was the same bird in all four cases. 1/640, f/4.5, ISO 640, 500 f/4, natural light, not baited, set up or called in Here she is on 10/7/12. I’ll never forget that morning because she let me get closer than I had ever been to a wild Prairie Falcon (even had to remove my tc). But there was a tradeoff (isn’t there always?) because the reason she felt so secure was that she was in deep shade, which isn’t the best situation for photography. Still, I’m happy to have the images of her that morning. 1/2000, f/6.3, ISO 640, 500 f/4, 1.4 tc, natural light, not baited, set up or called in A little over a month later (11/11/12) she killed a Northern Shoveler in the water about 50 yards out and waited for it to drift to shore. Here she has just claimed her prize and seemed to raise her wings in celebration. 1/2500, f/6.3, ISO 640, 500 f/4, 1.4 tc, natural light, not baited, set up or called in She attempted to enjoy her meal on the shore edge but waves kept coming in and sloshing the duck around so she decided to drag it further away…
Horned Larks
Horned Larks aren’t one of the “glamour species” for many, probably partly due to the fact that they’re so widespread and common. They’re found throughout most of North America and much of Eurasia. One of my scientific heroes, Carl (Carolus) Linnaeus, assigned the Latin name Eremophila alpestris (meaning “lark of the mountains”) to this bird, despite the fact that they commonly inhabit prairies, farmlands and deserts. These were the most common birds, by far, on the Montana farm where I grew up and they always bring back fond memories for me. Many folks think of them as just another “mostly brown little bird” but when you get close their colors and patterns really stand out. I really enjoy their soft, subtle call and have spent many hours watching them up close through my lens. These photos were taken on Antelope Island in the last few weeks. 1/1600, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light, not set up or called in The sexes are similar, though the colors of the males are more vivid and the namesake “horns” of the female are less evident than those of the male. This is the female. 1/1600, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light, not set up or called in She posed for me for quite a while before flying off. 1/2000, f/7.1, ISO 500, 500 f/4, 1.4 tc, natural light, not set up or called in This is the male, in a setting that shows more habitat. Often the black horns are laid back flat on…
Yet Another Escaped Falconry Bird – This Time A Female American Kestrel
Yesterday morning I spotted this female American Kestrel perched on a far-off rock to the west on Antelope Island. She was much too far away for decent photographs (as is obvious from the mediocre quality of these first five photos) but when I see raptors at most any distance it’s my practice to “scope them out” through my lens so I can ID them and look for anything unusual or interesting. I took a couple of shots for documentary purposes but at first I didn’t notice anything noteworthy about her except for the keratin flaking off of her beak. But then she scratched her face with her foot. Jesses! Those damned jesses again. In this shot you can see anklets above both feet and the jess on the left leg. She perched and preened on the rock for quite a while and a few minutes later she scratched with her other foot which provided a good look at the jess on the right ankle. I’m including this shot for a look at her right side, in the unlikely event that some local falconer may recognize her. I hung around for a long time in the hopes of catching her at take-off for a better look at both jesses and anklets. As luck would have it, when it happened they were both in shade and I lost focus on the bird but the photo still provides a decent look at the jesses. I’m deeply troubled by this event and I’ll provide a little background as…
Another Encounter With The Antelope Island Prairie Falcon
Two days ago we located the Prairie Falcon on the causeway once again. This bird spends most of its time on the island itself but occasionally ventures onto the causeway to hunt ducks. I’m quite sure, as are others who are more falcon knowledgeable than I, that it’s the same individual in all of my recent Prairie Falcon posts. Usually I complain about not being able to get close enough to my subjects but here I had the opposite problem. The only way I could even see this bird was from very close. From any further away the falcon was completely obstructed by the road edge and the vegetation growing there. The first two images are essentially full frame (very little crop) and that’s without my tc attached, so the falcon is too tight in the frame but this post is more about falcon adaptations than it is about aesthetics anyway. 1/1600, f/9, ISO 500, 500 f/4, natural light, not baited, set up or called in This bird was a mess! It had apparently just finished dining on duck so it was wet, blood encrusted and disheveled, with tidbits still clinging to feet and beak. The bird is meticulously cleaning and scratching its beak with those impressive talons, which seems to me to be about like picking one’s teeth with a Bowie knife. 1/1600, f/9, ISO 500, 500 f/4, natural light, not baited, set up or called in But what I found particularly interesting about many of the images I took of this bird was the good look at the well-defined and bulging crop. …
Male American Kestrel In Flight
Until yesterday, I’ve been largely stymied in my efforts got get good quality images of American Kestrels in flight. This has been especially frustrating because kestrels are the most numerous and widespread falcon in North America and they’re very common in my photography stomping grounds. I have many high quality images of them perched, but in-flight has been a different story. Because these falcons are small and their flight is swift and erratic, the photographer’s best chance is to catch them hovering. But they always hover facing into the wind and it seems like every time I’ve had that opportunity with them the sun has been behind them. Or they’re facing away from me. Or I can’t get a catch light in the eye. Or they’re too far away. Or they stop hovering and fly further away just as I get the pickup stopped and my lens up. Or… ad infinitum. 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light, not baited, set up or called in But yesterday morning, this male forgot just how much fun it is to aggravate me and gave me some opportunities in good light. He would hover for a few seconds, then move on to another nearby location and hover some more. It’s fascinating to watch them hover up close through the lens. The wings alternate between gliding and flapping and the tail is constantly adjusting to every minor variation in the breeze but the position of the head seems to be absolutely fixed in space as it scans below, looking for prey. A…
The Trouble With Harriers
Obtaining proper exposure on certain birds with high contrast colors has always been a big problem for bird photographers. When your subject has both very light and very dark colors it becomes problematic to get good detail in the darks without “blowing out” the whites, especially if the whites are very bright white. A partial list of bird species that are notoriously difficult to expose properly would include the Black Billed Magpie, male Wood Duck, adult Bald Eagle and many species of Terns. And because of the bright white rump patch found on all ages and both sexes of Northern Harriers, that species would also be on the list. One of the partial solutions to this problem is to photograph while the sun is low during either early morning or late afternoon because the light is much less “harsh” then and also because it has a better chance of striking the bird obliquely rather than at right angles (light at an angle tends to produce tiny texture shadows – “detail”). 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light, not baited, set up or called in I like this image for a variety of reasons: the well-lit and detailed view of the topside of a harrier in flight, provided by the banking flight posture of the bird getting good eye contact with this flight posture isn’t easy, but this shot has it the background has some color texture – instead of solid blue sky or white clouds it’s a subtle mixture of both the harrier is sharp –…