This post is an update on an event and a process that began when I photographed this Vesper Sparrow as it bathed in a small Montana spring earlier this fall.
I photographed this adult White-crowned Sparrow near a campground at Red Rock Lakes National Wildlife Refuge last month as it tried to feed on berries in a stiff breeze.
Vesper Sparrows are “dust bathers”. They do it so often that they’re known for having puffs of dust fly off of them when they’re flushed and take off. In fact, Birds of North America Online says they’re “not observed to bathe in water”. This Vesper Sparrow didn’t read the book.
During our last Montana trip we had multiple sessions over several days with a very cooperative Savannah Sparrow – “cooperative” in the sense that the bird could always be found in the same spot along the shore of Lower Red Rock Lake in Red Rock Lakes National Wildlife Refuge.
This little Savannah Sparrow was one of my most memorable birds on our recent Montana camping trip. It was a fearless and a relentless hunter.
The bold harlequin face pattern and unique courtship behaviors of the Lark Sparrow make it among my favorite sparrows to observe and photograph.
This morning I decided to feature another common and underappreciated species, the Vesper Sparrow. Friend and regular reader “Elephant’s Child” often refers to small, less colorful species as LBJs – “little brown jobs”. She appreciates the LBJs as much as their more colorful cousins and I give lip service to the fact that I do too but there’s no question that they get less attention on my blog than they deserve. This post is an attempt to partially remedy that situation.
This adult White-crowned Sparrow was using the frost-covered twigs almost like its own private store of unflavored popsicles.
Many bird photographers tend to largely ignore the most common species in their areas and I’m as guilty of that as anyone.
There seems to be a sort of “supply and demand” philosophy – the more common they are the less appealing they are as subjects. That’s too bad for at least a couple of reasons – familiar birds can be just as interesting and beautiful as many of the others and what’s “common” where we live and/or shoot is very often uncommon or even nonexistent for folks in other areas. This post is meant to make up to some degree for my own poor judgment at times in choosing subjects.
In my area most sparrow species aren’t easy to approach or catch out in the open for most of the year but when it’s very cold and they decide it’s time to begin their communal morning feeding routine they become much braver souls. Earlier this week I photographed three species of sparrows as they harvested seeds from their frost-covered parent plants.
Two days ago I found this juvenile White-crowned Sparrow sunning itself in a wild rose-bush at Farmington Bay. It was a cold morning (you can see frost on the perch behind the bird) and due to the frigid temperature the sparrow wasn’t flitting around much so I did a little experimentation with depth of field.
A local pumpkin farmer (Pack Farms) plants sunflowers along the periphery of his pumpkin field and each fall they provide a messy bounty for a variety of birds. Most species seem to be tidy eaters but the juvenile White-crowned Sparrows are an exception.
The orange in the background of these shots is – you guessed it – pumpkins.
Appropriately named after the blue gemstone lapis lazuli, the Lazuli Bunting is one of our most colorful western birds. The persistent and conspicuous song of the male throughout the breeding season has been likened to an “acoustic barcode” that is unique to that individual bird.
I’ve been a fan of strong graphic lines in my images ever since my friend Richard Ditch introduced me to their potential a few years ago. The source of those lines may be natural or unnatural but since my subjects are mostly birds and many of them perch on fences, my graphic lines are often provided by fence wires. In some ways I’d prefer natural elements in my images but wires can also be compositionally and visually interesting
Lark Sparrows are among my favorite songbirds to photograph, largely because of their boldly patterned face and head. Those dramatic chestnut, black and white markings make it one of the easier sparrows to identify and give it that harlequin look. This species has declined precipitously in the East but its populations seem secure in the rest of the continent where they’re naturally found.
