Northern Harrier Surprise
Sometimes bird photographers have to be a little crafty to get the shot.
Category: Bird Photography Methods
Anticipating An American Avocet Behavior
Anticipating behaviors is often crucial for nature photographers and that’s particularly true when your subject is a lightning-fast bird. Most of us don’t need any more images where the wings have been cut off in the frame or the bird is soft due to lack of shutter speed or poor focus tracking of the bird at take-off. The American Avocet in breeding plumage is an especially lovely subject with its long recurved bill, bluish legs, cinnamon head and neck and the black and white chevron pattern on its back. But you don’t see many quality flight or take-off images of the species, partially because their flight tendencies are fast and erratic. Like many birds, avocets routinely perform single wing and leg stretches. These stretches occur when the bird is at rest and at ease. They stretch like this in the water… and on land. But this single-wing/leg stretch is not an indicator of nervousness or a precursor of take-off. Neither of the birds in these two images did so immediately after the stretch. 1/1000, f/8, ISO 500, 500 f/4, 1.4 tc, natural light, a sliver of canvas added for composition But when you see this two-winged wing stretch, expect imminent take-off. A few seconds later this bird did just that but it took off away from me and I deleted the images. Another two-wing stretch. And almost immediately after the wings came down… the bird took off. It’s not a good shot because of the angle of take-off but it illustrates my point. Here’s what Birds…
Cliff Swallows In Flight
Cliff Swallows are one of North America’s most social land birds. Their nesting colonies sometimes consist of up to 7,000 individuals. Originally they were birds of the western mountains where they nested under horizontal rock ledges in canyons and foothills but in the last 150 years their range has expanded to include most of the continent due to the construction of buildings, bridges and highway culverts that provide alternative nesting sites. But holy moly, are they ever difficult to photograph in flight! I suspect that most serious bird photographers have attempted swallow (any species) flight shots and I’m no exception. But their small size combined with their swift, erratic flight has always stymied me. Until last May I didn’t have a single legitimate “keeper” of any swallow species in flight but that spring I was finally able to get some shots I like but it took some significant alteration of my past strategies. 1/3200, f/7.1, ISO 800, 500 f/4, natural light One of my problems in the past was that the bird was nearly always shaded underneath. So finally it struck me (duh!) that I needed to be shooting them when the sun was very low – for me that meant early in the morning. 1/2500, f/6.3, ISO 800, 500 f/4, natural light But shooting flight shots just as the sun comes up provides another problem – sufficient shutter speed. At that time of day the light intensity is relatively low so I needed to be shooting at the effective noise limit of my Canon 7D – ISO 800….
Black-billed Magpie Iridescence
Black-billed Magpies are loud, flashy and conspicuous black and white birds. And they’re a challenge to photograph well because of the exposure difficulty – getting detail in the blacks without “blowing out” the whites. I probably discard a higher proportion of shots of this species than I do any other. But if you work hard at it (with a little luck thrown into the mix) you can get some pretty spectacular shots that have detail in the blacks and whites and their showy iridescence. The actual plumage of these birds is truly black and white, with no other colors. But in the right light the feather structure (and other factors) on the tail and wings of these birds bends the light much like a prism and produces a variety of colors, predominantly blues and greens. When I’m photographing magpies, one of my goals is usually to capture some of that iridescence. 1/4000, f/6.3, ISO 500, 100-400 @ 400mm, natural light Three days ago I found this magpie perched on a snow-covered boulder on Antelope Island. As you can see the whites are well-exposed but there’s not a lot of detail in the blacks. This is the type of magpie image that I normally wouldn’t do much with except for purposes such as this post (my high shutter speeds were due to the snow and the fact that I was attempting take-off shots). 1/4000, f/6.3, ISO 500, 100-400 @ 400mm, natural light This is the same bird on the same perch but the image was taken…
A Compositional Conundrum
I intended this post to be a single image for my “Just A Shot That I Like” feature. It didn’t turn out that way. Six days ago I found this Great Blue Heron on the edge of a small, partially frozen creek with an almost vertical snow bank directly behind and very close to the bird. The heron was patient with me and I was close so I tried a variety of compositions using my 500 mm and 100-400 mm lenses. The incredibly fast shutter speeds were because of the bright snow and my forgetfulness in adjusting settings as I was juggling two cameras and lenses. In the end I couldn’t decide which composition I preferred so I’m presenting three of them here. 1/5000, f/6.3, ISO 500, 500 f/4, natural light This relatively tight vertical shows good detail on the bird and I like the close view of the swirly marks on the snow behind the heron made by a wing as it landed. 1/3200, f/7.1, ISO 500, 100 – 400 @ 400mm, natural light Some folks gravitate toward whole-bird reflections so I’m also including this composition. Ideally I’d prefer the bird to be slightly further left in the frame but cropping off the left makes the image too narrow vertically for my tastes and I have no more room on the right (image was taken vertically and is close to full frame). 1/6400, f/5.6, ISO 640, 100 – 400 @ 400mm, natural light A horizontal composition with the heron slightly smaller in the frame shows more of the…
It’s Been A Tough Winter For Birds (and it’s getting worse)
Typical winters are hard on birds in northern Utah (and elsewhere). But when the season is unusually frigid with lots of snow as we’re having this year they struggle even more to survive. All of these images have been taken since January 2 of this year. Upland game birds like this Chukar seem to have adapted to extreme conditions fairly well. This bird was all puffed up and sitting high on a rock to catch the earliest warming rays of the sun as it rose over the nearby Wasatch Mountains. Another upland game species that can apparently take harsh conditions quite well is the Ring-necked Pheasant (this is a female). They seem to forage for seeds at the base of plants where the snow isn’t as thick and their food is more readily available. But many other species have a difficult time and quite a few birds don’t survive until spring. The waterfowl that winter over here congregate in the few areas of open water where the flowing water is the last to freeze over. But when it gets very cold, even those small bits of open water freeze. I’ve seen ducks and coots frozen into the ice, some of them still alive. This female Green-winged Teal has just left one of the last unfrozen patches of water and is approaching an area of frost flowers. This Northern Flicker is using the protection of the underside of the eaves of a building on Antelope Island State Park. I thought the angled…
A Couple Of Intereresting Coyote Hunting Techniques
New Year’s morning on Antelope Island was a cloudy, low-light affair. It turned mostly sunny as we left for home in late morning and on the causeway we passed flocks of birders on their way to the island for their first day of birding in the New Year. I couldn’t help but notice the irony – us photographers who needed good light didn’t get any and the birders who don’t, did… But despite the low light I was able to photograph two coyote hunting techniques that I thought were interesting. 1/800, f/8, ISO 500, 100-400 @ 150 mm, natural light This coyote was on the edge of a large hill overlooking the frozen shoreline of the Great Salt Lake far below. I was very close to the animal but it was so intent on scanning the marshy area below for prey that it simply ignored me. At one point it stood on its hind legs with its front legs on a large, snow-covered boulder to give it an even more elevated view of the hunting grounds down below. I hoped that it would look back at me but it never did, though I think this pose, with just enough of the muzzle in view to show the direction the coyote was looking, well illustrates the hunting behavior. I was pleasantly surprised with one element of this photo. I was much too close to this coyote to use my 500mm lens so I had grabbed my other 7D with the 100-400 attached and backed the zoom down to 150mm. …
Poop, Perches and Personal Preferences
Many raptors are “sit and wait” hunters, which means they often hunt from an elevated perch instead of “on the wing” and Red-tailed Hawks are well-known for this practice. An elevated perch provides good views over a large area and no extra energy need be expended in flight while looking for food. Typically these birds will use the same productive perch repeatedly over long periods of time, which presents a challenge to the photographer – poop (hereafter referred to as “whitewash”). Whitewash consists largely of crystalline uric acid (it’s more complicated than that but I’ll try not to stray into a discussion of the functions of the cloaca), which tends to be bright white. That whitewash can create some aesthetic and ethical conflicts between a “natural shot” and an image that has been “Photoshopped” to death, primarily by use of the clone tool. Many photographers routinely clone out whitewash and/or droppings and I’ll admit that I’ve done it before, but for me it’s an ethical dilemma because I much prefer to leave my images as natural as possible since I consider myself to be a “nature photographer”. In fact, right now I’m struggling with a series of Horned Lark images that I really like, but there’s a large, fresh and very conspicuous dropping right in front of the birds foot that most would find distracting. I could clone it out but every time I looked at that image I would know what I’d done. Canon 7D, 1/4000, f/5.6, ISO 640, 500 f/4, natural light, not baited, set up or called in A couple of days…
The Trouble With Harriers
Obtaining proper exposure on certain birds with high contrast colors has always been a big problem for bird photographers. When your subject has both very light and very dark colors it becomes problematic to get good detail in the darks without “blowing out” the whites, especially if the whites are very bright white. A partial list of bird species that are notoriously difficult to expose properly would include the Black Billed Magpie, male Wood Duck, adult Bald Eagle and many species of Terns. And because of the bright white rump patch found on all ages and both sexes of Northern Harriers, that species would also be on the list. One of the partial solutions to this problem is to photograph while the sun is low during either early morning or late afternoon because the light is much less “harsh” then and also because it has a better chance of striking the bird obliquely rather than at right angles (light at an angle tends to produce tiny texture shadows – “detail”). 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light, not baited, set up or called in I like this image for a variety of reasons: the well-lit and detailed view of the topside of a harrier in flight, provided by the banking flight posture of the bird getting good eye contact with this flight posture isn’t easy, but this shot has it the background has some color texture – instead of solid blue sky or white clouds it’s a subtle mixture of both the harrier is sharp –…
Shrikes And A Lesson For Me In Light
Birds on Antelope Island have been few and far between lately and yesterday was no exception. But a couple of Loggerhead Shrikes saved my morning and taught me yet another lesson in light. 1/1000, f/7.1, ISO 640, 500 f/4, 1.4 tc, natural light, not baited, set up or called in It was mostly cloudy on the island when we got there just as the sun was coming up over the mountains but there was a crack in those clouds that provided some very warm light for a few minutes just as we found this cooperative shrike. The golden light provides colors to the bird and perch – an effect that I like, especially with the dark storm clouds in the background. 1/500, f/7.1, ISO 640, 500 f/4, 1.4 tc, natural light, not baited, set up or called in I was only able to get off a few shots before the shrike flew to another perch, which gave me side light on the bird. This is a tricky lighting situation. When the bird was facing left into the sun the bright whites on the breast and neck “blew out” (too bright with no detail) and the shadows on the back of the shrike were too dark. But when it turned to its right and looked over its shoulder at me the exposure worked much better. The problem with this pose was getting both light in the eye and good eye contact. This image was one of the few that worked. I like the contrasting cool and warm tones on the shrike….
Burrowing Owl – Same Bird, Same Perch, Different Angle
I’d like to make a point with this post. It’s one that every experienced bird photographer knows on some level but in the heat of the moment (it can be very exciting getting close to a “good” bird in nice light) it’s one that is easily forgotten. I’m getting much better at remembering but I still slip up occasionally. The point? Very minor changes in your shooting position can make huge differences (positive, negative or indifferent) in your photo. I’ll illustrate that point with a couple of shots that I took this morning. They’re not my best Burrowing Owl images but they’ll serve their purpose here. 1/160, f/7.1, ISO 640, 500 f/4, 1.4 tc, natural light, not baited, set up or called in This morning we think we found a new (to us) Burrowing Owl burrow right next to the road on Antelope Island that we’ve probably driven by several hundred times and never noticed. We don’t know for sure that it’s an owl burrow because we didn’t get out of the pickup and go tromping all over the area to inspect it. And right next to it was this juvenile owl, perched on a sagebrush, where we’d never seen an owl before. It had been cloudy but some light had begun peeking through a “crack” in the clouds when this shot was taken. It’s a “busy” perch and when the sun began to come out the bird was sidelit so I decided to change my position slightly… 1/320, f/7.1, ISO 640, 500 f/4, 1.4 tc, natural light, not baited, set up or…
Red-tailed Take Off From Farmington Canyon Complex Rocks
I’ve said before how much I prefer the very dark Farmington Canyon Complex rocks on Antelope Island as perches, over the bright white Tintic Quartzite rocks found on the northern part of the island. This juvenile Red-tailed Hawk made my morning last month when it chose just such a rock to hunt from. I always enjoy it when I can get multiple shots of some interesting behavior or action in sequence. To me it’s almost like a very slow motion video and though it may include a few images that aren’t perfect individually I think that collectively the photos gain value as a group for what they illustrate – the whole can be greater than its parts. 1/2500, f/7.1, ISO 400, 500 f/4, 1.4 tc, shot from pickup window, natural light, not baited, set up or called in Photographing take-offs is always a challenge. The bird may just sit there for a half hour or longer but when it happens it’s quick and easy to miss. 1/2500, f/7.1, ISO 400, 500 f/4, 1.4 tc, shot from pickup window, natural light, not baited, set up or called in You also need to be concerned about what direction it will go and if you’re too close (it’s easy to clip wings if you are) or too far away (which shows less detail). Those with zoom lenses have an advantage over me because they can quickly adjust their focal length to whatever they want within their zoom range, while the only option I have is to attach or detach my teleconverter, which is cumbersome and takes time. …
Frosty Northern Harrier
This is a shot that I like, partly due to the somewhat unusual effects of the light and the resulting colors. 1/1250, f/8, ISO 500, 500 f/4, 1.4 tc, shot from pickup window, not baited, set up or called in It was taken on a very cold January morning (notice the frosty perch) just as the sun was coming up over the Wasatch mountains and the warm colors from the very low sun, combined with the light bouncing off all of the Phragmites in the area, gave the overall image a bit of a slightly unusual color that appeals to me (as usual, I made no color adjustments during processing). After my last post on composition it seems that I’m fretting about cropping options even more than I usually do. I often try several versions, make a decision, then use (or post) just the one I think I like best. But in this instance I just wasn’t sure, so I decided to post two versions. Typically, my gut instinct is to go for the tighter crop (the vertical in this case) because of the better detail on the bird, but I’m trying to expand my horizons a little and become more flexible with the options I consider. If you have a preference between these two images I’d love to hear about it, but please don’t think you need to choose one over the other if you decide to comment on the image. And this will be the last time (at least for a good long…
Compositional Mind Games
There are times when I really struggle with composition when I’m cropping an image. To a degree, composition is a matter of taste and personal preference, though most folks would agree on a few major principles. Some of those might be: avoid clipping body parts or cropping too tight on the subject the subject usually (though not always) should not be centered in the frame leave plenty of room in the frame in the direction the subject is facing, looking or flying (in the case of birds) Where I sometimes run into difficulty making a composition decision is when there are other compositional elements in the image that I might like to include in the final version of the photo. Thanks largely to the influence of Richard Ditch, I’ve become fond of strong graphic lines in some of my images, as long as those lines come from natural or rustic elements (power poles or wires just won’t cut it with me). This summer I photographed a juvenile Red-tailed Hawk on an old, rustic pole fence in Beaverhead County, Montana and I’m having a very difficult time making cropping decisions on some of those images. My natural tendency is to crop fairly tightly on the bird to get good detail on the subject but I also like the graphic lines provided by the fence with different cropping choices. Several times I’ve thought I’d finally figured out which version I prefer, but when I came back to the computer a few hours later and looked at them one more time I was again undecided. Compositional mind…
Red-tailed Hawk With Blooming Rabbitbrush
I love the fall colors of the blooming rabbitbrush on Antelope Island. I’m always looking to photograph songbirds perched on it because it can make such an attractive setting but for some reason they don’t often use it for a perch. But about two weeks ago I was able to get some images of this juvenile Red-tailed Hawk with blooming rabbitbrush in the setting and even though, in many of those photos, the rabbitbrush is a little “busy” and takes attention away from the bird, I still liked the shots for a change of pace from the soft, unidentified bokeh that is often preferred in avian photography. Some of these shots show habitat well and sometimes that’s a good thing… 1/2000, f/7.1, ISO 500, 500 f/4, natural light, not baited, set up or called in This bird had been “sit and wait” hunting as it was perched very low and close to me on a rusty, metal gate when it spotted something at the base of this rabbitbrush and flew in for the capture. At first I thought it had been successful because the hawk was “mantling” (spreading wings and tail over prey to hide it from potential competitors) but in the end it came up empty-taloned. 1/2000, f/7.1, ISO 500, 500 f/4, natural light, not baited, set up or called in So it soon flew off and I was able to get some shots as it did so. I like the dynamic take-off posture in this image, though some may find that the relative sharpness and bright…