Category: Bird Photography Methods
Mourning Dove – Why Do I Usually Ignore The Common Species?
As a bird photographer I continually struggle with the tendency to ignore the more common species. This is a bad habit I’ve tried to break over the years but my success has been limited so I still too often pass on opportunities with species like the American Robin, House Finch, American Coot and Mourning Dove. Many fellow photographers have the same tendency and I think we miss some wonderful shots as a result.
American Kestrel In Fog
Images of birds in fog often have a unique mood and “feel”. The tendency of many photographers is to attempt to minimize the effects of the fog during processing but I try to resist that temptation and let the image sink or swim on its true merits.
Fog tends to reduce detail and color saturation and causes the subject to appear slightly overexposed. It also often results in high key backgrounds. Some of those effects can be reduced by increasing contrast/saturation during processing but then you are losing the mood provided by the fog in the first place. All I’ve done with this image is crop and sharpen.
Burrowing Owl In Dramatic Side Light
As every photographer knows, light angle can make or break an image. In static portrait shots especially, partial side lighting (at perhaps 45 degrees to your subject) emphasizes texture, patterns and shapes and helps to separate subject from background. It’s been said that side light “sculpts” your subject.
Three Burrowing Owls and More Challenges With Depth Of Field
I’d been photographing a family of these birds for several weeks but typical of the species they were usually on the ground with obstructing vegetation in front of them or buried too deeply in the sagebrush. But as I approached them on this early August morning (in my pickup, from the road) there were two juveniles and one adult perched high on the sagebrush in nice warm light and there was a clean, pleasing background. My little heart went pit-a-pat at the opportunity but then I had to deal with the harsh reality of depth of field.
Red-tailed Hawk – Another Optical Illusion
Anticipating Raptor Take-off
Some Recent Shots To Break A Bird Photographer’s Heart
Occasionally I just have to vent about some of my photography frustrations.
Every nature photographer has them. Landscape photogs spend countless hours waiting for just the right light and dramatic clouds which often never materialize, those specializing in wildlife (especially mammals) often cannot even find their subjects, macro nature photographers have to deal with slight breezes that can ruin their shots and those who focus on flowers have a limited season.
But bird photographers may have the most challenging subjects of all (perhaps my bias is creeping in here, but I doubt it).
Cliff Swallow In Flight
For years I tried to photograph swallows in flight, usually without much strategy – just shooting them wherever I might find them. That typically meant while they were freely flying overhead or buzzing the surface of a pond or stream as they picked off insects and it always meant failure on my part. They’re just too fast, too small and too maneuverable for my autofocus and reflexes.
Then one day I decided to change strategies…
Owl Head-on Flight Shots Don’t Have To Be Baited
Head-on flight shots of owls have often been baited using live, store-bought mice. I’m of the opinion that baiting raptors is not only unethical (a debate I’d prefer to not get into here) but unnecessary for those kinds of images. However they typically require patience, intimate knowledge of the subject, a keen eye for interpreting behavior and even a little luck.
Avocet Wing-stretch – A Predictor Of Behavior
Hummingbirds, Butterflies And Rocky Mountain Bee Plant
Yesterday morning on Antelope Island hummingbirds were buzzing frantically over clumps of Rocky Mountain Bee Plant, a species of Cleome that produces copious amounts of nectar so it attracts hummingbirds, butterflies, bees and wasps. All four were present. As a biologist I enjoyed watching the natural processes at work here. The long, showy pollen tipped stamens and deeply buried nectar, when combined with the long bill of the bird, are the perfect combination to suit some of the biological needs of each species. The hummers were often covered with pollen.
Wildlife Photography While Pulling A Trailer Isn’t Easy
When we leave one of our favorite Montana camping spots for the long drive home it means almost 30 miles of extremely dusty dirt/gravel roads through prime bird and wildlife habitat before we hit pavement. We nearly always leave at sunrise in case there are photo opportunities on the way out – typically those opportunities include raptors on posts, poles or in flight, songbirds, elk, deer, pronghorn – even badgers.
If the roads are good (as they are this year) that drive takes at least an hour when I’m pulling my camping trailer but if we find wildlife, as we often do, it can take two hours or more. And believe me, photographing wildlife while you’re pulling a trailer is a bit of a challenge.
Green-tailed Towhee
As I mentioned on this blog a couple of months ago I’ve been after quality images of the Green-tailed Towhee for years but they’ve always eluded me. This species has a special place in my heart and memory because it was my field project study species back in 1969 when I took a college ornithology class at the University of Utah from the legendary Dr. William H. Behle. That class provided the inspiration for my almost life-long love of birds. I’ve been trying to get some nice images of them for years now but their secretive nature and my bad luck always got in the way.
A Black-headed Grosbeak, The Canon 7D And A Rookie Mistake
Mourning Dove – Why Do I Usually Ignore The Common Species?
As a bird photographer I continually struggle with the tendency to ignore the more common species. This is a bad habit I’ve tried to break over the years but my success has been limited so I still too often pass on opportunities with species like the American Robin, House Finch, American Coot and Mourning Dove. Many fellow photographers have the same tendency and I think we miss some wonderful shots as a result.
American Kestrel In Fog
Images of birds in fog often have a unique mood and “feel”. The tendency of many photographers is to attempt to minimize the effects of the fog during processing but I try to resist that temptation and let the image sink or swim on its true merits.
Fog tends to reduce detail and color saturation and causes the subject to appear slightly overexposed. It also often results in high key backgrounds. Some of those effects can be reduced by increasing contrast/saturation during processing but then you are losing the mood provided by the fog in the first place. All I’ve done with this image is crop and sharpen.
Burrowing Owl In Dramatic Side Light
As every photographer knows, light angle can make or break an image. In static portrait shots especially, partial side lighting (at perhaps 45 degrees to your subject) emphasizes texture, patterns and shapes and helps to separate subject from background. It’s been said that side light “sculpts” your subject.
Three Burrowing Owls and More Challenges With Depth Of Field
I’d been photographing a family of these birds for several weeks but typical of the species they were usually on the ground with obstructing vegetation in front of them or buried too deeply in the sagebrush. But as I approached them on this early August morning (in my pickup, from the road) there were two juveniles and one adult perched high on the sagebrush in nice warm light and there was a clean, pleasing background. My little heart went pit-a-pat at the opportunity but then I had to deal with the harsh reality of depth of field.
Red-tailed Hawk – Another Optical Illusion
Anticipating Raptor Take-off
Some Recent Shots To Break A Bird Photographer’s Heart
Occasionally I just have to vent about some of my photography frustrations.
Every nature photographer has them. Landscape photogs spend countless hours waiting for just the right light and dramatic clouds which often never materialize, those specializing in wildlife (especially mammals) often cannot even find their subjects, macro nature photographers have to deal with slight breezes that can ruin their shots and those who focus on flowers have a limited season.
But bird photographers may have the most challenging subjects of all (perhaps my bias is creeping in here, but I doubt it).
Cliff Swallow In Flight
For years I tried to photograph swallows in flight, usually without much strategy – just shooting them wherever I might find them. That typically meant while they were freely flying overhead or buzzing the surface of a pond or stream as they picked off insects and it always meant failure on my part. They’re just too fast, too small and too maneuverable for my autofocus and reflexes.
Then one day I decided to change strategies…
Owl Head-on Flight Shots Don’t Have To Be Baited
Head-on flight shots of owls have often been baited using live, store-bought mice. I’m of the opinion that baiting raptors is not only unethical (a debate I’d prefer to not get into here) but unnecessary for those kinds of images. However they typically require patience, intimate knowledge of the subject, a keen eye for interpreting behavior and even a little luck.
Avocet Wing-stretch – A Predictor Of Behavior
Hummingbirds, Butterflies And Rocky Mountain Bee Plant
Yesterday morning on Antelope Island hummingbirds were buzzing frantically over clumps of Rocky Mountain Bee Plant, a species of Cleome that produces copious amounts of nectar so it attracts hummingbirds, butterflies, bees and wasps. All four were present. As a biologist I enjoyed watching the natural processes at work here. The long, showy pollen tipped stamens and deeply buried nectar, when combined with the long bill of the bird, are the perfect combination to suit some of the biological needs of each species. The hummers were often covered with pollen.
Wildlife Photography While Pulling A Trailer Isn’t Easy
When we leave one of our favorite Montana camping spots for the long drive home it means almost 30 miles of extremely dusty dirt/gravel roads through prime bird and wildlife habitat before we hit pavement. We nearly always leave at sunrise in case there are photo opportunities on the way out – typically those opportunities include raptors on posts, poles or in flight, songbirds, elk, deer, pronghorn – even badgers.
If the roads are good (as they are this year) that drive takes at least an hour when I’m pulling my camping trailer but if we find wildlife, as we often do, it can take two hours or more. And believe me, photographing wildlife while you’re pulling a trailer is a bit of a challenge.
Green-tailed Towhee
As I mentioned on this blog a couple of months ago I’ve been after quality images of the Green-tailed Towhee for years but they’ve always eluded me. This species has a special place in my heart and memory because it was my field project study species back in 1969 when I took a college ornithology class at the University of Utah from the legendary Dr. William H. Behle. That class provided the inspiration for my almost life-long love of birds. I’ve been trying to get some nice images of them for years now but their secretive nature and my bad luck always got in the way.