Female Kestrel – A Twisting, Turning Take-off

Occasionally during take-off an American Kestrel will put on a show of its considerable acrobatic skills but it happens so fast with these little falcons that many of us don’t really appreciate the coordination and skill involved. Yesterday morning I got one shot that I think demonstrates it pretty well.

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A Northern Flicker And The Kindness Of A Stranger

In early 2008 I was a frustrated novice photographer. I had recently invested heavily in an expensive “bird lens” and switched over from shooting in JPEG to RAW all in an effort to get high quality shots but it just wasn’t happening. My images were not as sharp as they should be and I couldn’t figure out why.

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Mourning Dove – Why Do I Usually Ignore The Common Species?

As a bird photographer I continually struggle with the tendency to ignore the more common species. This is a bad habit I’ve tried to break over the years but my success has been limited so I still too often pass on opportunities with species like the American Robin, House Finch, American Coot and Mourning Dove. Many fellow photographers have the same tendency and I think we miss some wonderful shots as a result.

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American Kestrel In Fog

Images of birds in fog often have a unique mood and “feel”. The tendency of many photographers is to attempt to minimize the effects of the fog during processing but I try to resist that temptation and let the image sink or swim on its true merits.

Fog tends to reduce detail and color saturation and causes the subject to appear slightly overexposed. It also often results in high key backgrounds. Some of those effects can be reduced by increasing contrast/saturation during processing but then you are losing the mood provided by the fog in the first place. All I’ve done with this image is crop and sharpen.

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Burrowing Owl In Dramatic Side Light

As every photographer knows, light angle can make or break an image. In static portrait shots especially, partial side lighting (at perhaps 45 degrees to your subject) emphasizes texture, patterns and shapes and helps to separate subject from background. It’s been said that side light “sculpts” your subject.

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Three Burrowing Owls and More Challenges With Depth Of Field

I’d been photographing a family of these birds for several weeks but typical of the species they were usually on the ground with obstructing vegetation in front of them or buried too deeply in the sagebrush. But as I approached them on this early August morning (in my pickup, from the road) there were two juveniles and one adult perched high on the sagebrush in nice warm light and there was a clean, pleasing background. My little heart went pit-a-pat at the opportunity but then I had to deal with the harsh reality of depth of field.

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Anticipating Raptor Take-off

I’ve said before that one of the skills that can be of immense value to the bird photographer (and of interest to birders of every persuasion) is the ability to predict the behavior of your subject and one of those behaviors that can be of most value to predict is take-off.

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Some Recent Shots To Break A Bird Photographer’s Heart

Occasionally I just have to vent about some of my photography frustrations.

Every nature photographer has them. Landscape photogs spend countless hours waiting for just the right light and dramatic clouds which often never materialize, those specializing in wildlife (especially mammals) often cannot even find their subjects, macro nature photographers have to deal with slight breezes that can ruin their shots and those who focus on flowers have a limited season.

But bird photographers may have the most challenging subjects of all (perhaps my bias is creeping in here, but I doubt it).

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Cliff Swallow In Flight

For years I tried to photograph swallows in flight, usually without much strategy – just shooting them wherever I might find them. That typically meant while they were freely flying overhead or buzzing the surface of a pond or stream as they picked off insects and it always meant failure on my part. They’re just too fast, too small and too maneuverable for my autofocus and reflexes.

Then one day I decided to change strategies…

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